Celebrity memes, audioshop, and participatory fan culture: a case study on Keanu Reeves memes

被引:5
|
作者
Nielsen, Danielle [1 ]
Nititham, Diane Sabenacio [1 ]
机构
[1] Murray State Univ, Sociol, Murray, KY 42071 USA
关键词
Keanu Reeves; Meme; Participatory Culture;
D O I
10.1080/19392397.2022.2063397
中图分类号
G [文化、科学、教育、体育]; C [社会科学总论];
学科分类号
03 ; 0303 ; 04 ;
摘要
Contemporary meme culture keeps Keanu Reeves' image at the forefront of our imagination. Numerous Keanu-related memes circulate on the internet, featuring images of him from on and off screen. In this article, we argue that the rise of user-generated content, such as memes and social media, requires us to reconsider how audiences and fans consume, adapt, and circulate Keanu's stardom. Specifically, we contend that memes and their attending participatory culture make Keanu familiar by placing him in knowable spaces and perpetuating his extraordinary ordinariness. To do so, we examine the 2019 'Keanu Reeves Walking in Slow Motion' video clip from Always by My Maybe and the memes generated by users. First, we explore the purpose of celebrity memes and participatory culture, examining the ways in which Keanu's image and persona is defined within this culture. Second, using a cross-media analysis, we define the recent meme genre 'audioshop', and explore how 'Keanu Reeves Walking in Slow Motion' enables audiences to use their prior knowledge of Keanu's persona to more fully engage with the meme and its possible interpretations. Finally, we discuss how meme culture objectifies and commodifies celebrity, arguing that celebritisation through meme production amplifies Keanu's persona and cross-media presence.
引用
收藏
页码:159 / 170
页数:12
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