'New music' and the 'New Negro': The background of William Grant Still's 'Afro-American Symphony'

被引：1

作者：

Oja, CJ ^{[1
]}

机构：

[1] Harvard Univ, Cambridge, MA 02138 USA

来源：

BLACK MUSIC RESEARCH JOURNAL | 2002年 / 22卷

关键词：

D O I：

10.2307/1519945

中图分类号：

J6 [音乐];

学科分类号：

摘要：

[No abstract available]

引用

页码：107 / 130

页数：24

共 50 条

[1] THE 'RISE OF MODERNIST MUSIC IN NEW YORK, PERSPECTIVES ON THE 1920S' - NEW MUSIC AND THE NEW NEGRO, THE BACKGROUND OF STILL,WILLIAM,GRANT 'AFRO-AMERICAN SYMPHONY'
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[2] CHOSEN IMAGE - THE AFRO-AMERICAN VISION IN THE OPERAS OF STILL,WILLIAM,GRANT
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[3] AFRO-AMERICAN MUSIC + AS TREATED IN THE 'NEW GROVE'
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[4] NEW ENGLAND AFRO-AMERICAN SCHOOL + 19TH-CENTURY MUSIC
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[5] THE STILL,WILLIAM,GRANT READER - ESSAYS ON AMERICAN MUSIC - SPENCER,JM
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[6] STILL 'AFRO-AMERICAN SYMPHONY', HADLEY 'SALOME' + KRUEGER,K - LIBRARY-OF-CONGRESS-OMP-105
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[8] William Dawson, "The New Negro" and his folk idiom (Composer of 'Negro Folk Symphony')
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[9] COMPARATIVE AFRO-AMERICAN, AN HISTORICAL-COMPARATIVE STUDY OF SOME AFRO-AMERICAN DIALECTS IN THE NEW WORLD - ALLEYNE,MC
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[10] The Afro-American in New York City, 1827-1826
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