PERFORMING MUSICAL DYNAMICS: How CRUCIAL ARE MUSICAL IMAGERY AND AUDITORY FEEDBACK FOR EXPERT AND NOVICE MUSICIANS?

被引:19
|
作者
Bishop, Laura [1 ]
Bailes, Freya [2 ]
Dean, Roger T. [3 ]
机构
[1] Austrian Res Inst Artificial Intelligence OFAI, Vienna, Austria
[2] Univ Hull, Kingston Upon Hull HU6 7RX, N Humberside, England
[3] MARCS Inst, Penrith, NSW, Australia
来源
MUSIC PERCEPTION | 2014年 / 32卷 / 01期
关键词
musical imagery; auditory feedback; planning; musical expertise; expression; WORKING-MEMORY; MENTAL-IMAGERY; PITCH; PERCEPTION; LOUDNESS; EMOTION; PIANO; COMMUNICATION; EXPERIENCE; PIANISTS;
D O I
10.1525/MP.2014.32.1.51
中图分类号
J6 [音乐];
学科分类号
摘要
MUSICIANS ANTICIPATE AND MONITOR THE expressive effects of their actions during performance. Previous research suggests that the ability to imagine desired outcomes can partially compensate when auditory feedback is absent, permitting continued performance even though information about whether these outcomes are realized is unavailable. Research also suggests that musical imagery ability improves with increasing musical expertise. This study tested the hypothesis that expert musicians' superior imagery abilities enable reduced reliance on auditory feedback, relative to novice musicians, during the performance of loudness changes (i.e., dynamics). Musicians reproduced the dynamic changes of sounded scales using a loudness slider as the availability of imagery and auditory feedback was manipulated. Contrary to expectations, only novices showed impairment in performing dynamics during imagery disruption and auditory feedback deprivation. Experts showed limited dependence on both sources of information, suggesting greater flexibility in how musical information is mentally represented, compared to novices, and an improved ability to adapt planning strategies.
引用
收藏
页码:51 / 66
页数:16
相关论文
共 50 条
  • [1] Auditory imagery from musical notation in expert musicians
    Brodsky, W
    Henik, A
    Rubinstein, BS
    [J]. PERCEPTION & PSYCHOPHYSICS, 2003, 65 (04): : 602 - 612
  • [2] Auditory imagery from musical notation in expert musicians
    Warren Brodsky
    Avishai Henik
    Bat -Sheva Rubinstein
    Moshe Zorman
    [J]. Perception & Psychophysics, 2003, 65 : 602 - 612
  • [3] Auditory feedback and musical keyboard performance
    Finney, SA
    [J]. MUSIC PERCEPTION, 1997, 15 (02): : 153 - 174
  • [4] Mental concerts: Musical imagery and auditory cortex
    Zatorre, RJ
    Halpern, AR
    [J]. NEURON, 2005, 47 (01) : 9 - 12
  • [5] Subjective time perception in musical imagery: An fMRI study on musicians
    Izadifar, Morteza
    Formuli, Arusu
    Isham, Eve A.
    Paolini, Marco
    [J]. PSYCH JOURNAL, 2023, 12 (06) : 763 - 773
  • [6] Subjective Time Perception in Musical Imagery: An fMRI Study on Musicians
    Izadifar, Morteza
    [J]. COGNITIVE PROCESSING, 2021, 22 (SUPPL 1) : 51 - 51
  • [7] OPPOSITE MUSICAL MANUAL INTERFERENCE IN YOUNG VS EXPERT MUSICIANS
    FABBRO, F
    BRUSAFERRO, A
    BAVA, A
    [J]. NEUROPSYCHOLOGIA, 1990, 28 (08) : 871 - 877
  • [8] Expert-novice difference in the purpose for exercising a musical piece
    Oura, Y
    Hatano, G
    [J]. INTERNATIONAL JOURNAL OF PSYCHOLOGY, 2000, 35 (3-4) : 155 - 155
  • [9] COMPARING AND MODELING MUSICAL THOUGHT PROCESSES OF EXPERT AND NOVICE COMPOSERS
    YOUNKER, BA
    SMITH, WH
    [J]. BULLETIN OF THE COUNCIL FOR RESEARCH IN MUSIC EDUCATION, 1996, (128) : 25 - 36
  • [10] EFFECT OF DELAYED AUDITORY FEEDBACK ON MUSICAL PERFORMANCE
    HAVLICEK, LL
    [J]. JOURNAL OF RESEARCH IN MUSIC EDUCATION, 1968, 16 (04) : 308 - 318