The Summer Palace in the Royal Garden of Prague Castle and the First Renaissance Leisure Architecture in Central Europe

被引：0

作者：

Ulicny, Petr ^{[1
]}

机构：

[1] Czech Acad Sci, Inst Art Hist, Prague, Czech Republic

来源：

UMENI-ART | 2019年 / 67卷 / 06期

关键词：

D O I：

暂无

中图分类号：

J [艺术];

学科分类号：

13 ; 1301 ;

摘要：

引用

页码：514 / 537

页数：24

共 13 条

[1] From Emperor to Ploughman and Back Again. Cycles of Rulers in the Old Royal Palace at Prague Castle
Ulicny, Petr
UMENI-ART, 2018, 66 (06): : 466 - +
[2] Prague and Bohemia Medieval Art, Architecture and Cultural Exchange in Central Europe
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UMENI-ART, 2010, 58 (01): : 73 - 75
[3] Prague and Bohemia: Medieval Art, Architecture and Cultural Exchange in Central Europe
Kress, Berthold
SLAVONIC AND EAST EUROPEAN REVIEW, 2011, 89 (02):
[4] Prague and Bohemia: Medieval Art, Architecture and Cultural Exchange in Central Europe
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SLAVIC AND EAST EUROPEAN JOURNAL, 2011, 55 (01): : 133 - 135
[5] Prague and Bohemia. Medieval art, architecture and cultural exchange in central Europe
Rosser, Gervase
JOURNAL OF ECCLESIASTICAL HISTORY, 2011, 62 (01): : 159 - 160
[6] The first discovery of a vanilla pod in Europe: A multidisciplinary record from the early modern period of the Prague Castle
Irmisova, J.
Frolik, J.
Triska, J.
Vrchotova, N.
Garay-Vazquez, J. J.
Velicka, T.
Svetlik, I
Benes, J.
JOURNAL OF ARCHAEOLOGICAL SCIENCE-REPORTS, 2025, 63
[7] Prague and Bohemia. Medieval Art, Architecture and Cultural Exchange in Central Europe.
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MEDIEVAL ARCHAEOLOGY, 2010, 54 (01) : 508 - 508
[8] European Diplomacy, Family Strategies, and the Origins of Renaissance Architecture in Central and Eastern Europe
Kalina, Pavel
ARTIBUS ET HISTORIAE, 2009, (60) : 173 - +
[9] Catherine-the-Great's summer palace - Her unfinished royal retreat near Moscow (Architecture of the buildings at Tsaritsyno)
Flamini, R
ARCHITECTURAL DIGEST, 2000, 57 (12) : 148 - +
[10] Field houses in Europe of the Renaissance. Documents of the first encounters of European architecture
de Ceballos, Alfonso Rodriguez G.
ARCHIVO ESPANOL DE ARTE, 2007, 80 (319): : 347 - 347

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