Where There's a Will horizontal ellipsis

被引:0
|
作者
Cook, Peter
机构
关键词
Reyner Banham; Alvin Boyarsky; Cedric Price; Zaha Hadid; Will Alsop; Paris; Moscow; New York; London; Art School; Northampton; Architectural Association (AA) School of Architecture; Cardiff Bay Visitor Centre; The Public; West Bromwich; Chips; Manchester; Fourth Grace; Liverpool; European City of Culture; China; Kensington; West London; Riverside Studios; Hammersmith; King's Road; Chelsea; The Power House; Battersea and Prince Albert Bridges; Norman Foster; Royal College of Art; Squint; Opera; Testbed1; Art Net; Doodle Bar; Bethnal Green; Bermondsey; Tower Bridge; John Lyall; Jan Stormer; Mike Gold; Vienna University of Technology (TU Wien); University for the Creative Arts; Canterbury; Kent; Le Corbusier's Cubism; Peckham Library; Blizard Building; Ontario College of Art & Design (OCAD); Toronto; Hotel du Departement des Bouches-du-Rhone ('Le Grand Bleu'; 1994); Marseille;
D O I
10.1002/ad.2851
中图分类号
TU [建筑科学];
学科分类号
0813 ;
摘要
Whilst lamenting the passing of so many inspirational and creative voices, Peter Cook can still hear the echoes of a 30-year period of iconoclasm that was the antecedent and antithesis of the circumspect introspection of architectural design today. Here he celebrates Alsop's achievements and records some shared traits. The power of Alsop's oeuvre is ever-present for those who occupy and encounter his buildings, and his persona lingers in the air for those who knew him well.
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页码:22 / 29
页数:8
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