Art and identity in thirteenth-century Byzantium: Hagia Sophia and the empire of Trebizond

被引：0

|

作者：

Hennessy, Cecily

机构：

来源：

ART HISTORY | 2008年 / 31卷 / 03期

关键词：

D O I：

暂无

中图分类号：

J [艺术];

学科分类号：

13 ; 1301 ;

摘要：

引用

收藏

页码：399 / 406

页数：8

相关论文

共 26 条

[1] Art and identity in thirteenth-century Byzantium: Hagia Sophia and the empire of Trebizond
Jones, Lynn
[J]. CHURCH HISTORY, 2008, 77 (01): : 164 - 165
[2] Art and Identity in Thirteenth-Century Byzantium: Hagia Sophia and the Empire of Trebizond
Menshikova, M. S.
[J]. VIZANTIISKII VREMENNIK, 2009, 68 (93): : 263 - 265
[3] Art and identity in thirteenth-century Byzantium: Hagia Sophia and the Empire of Trebizond
Kotoula, Dimitra
[J]. BYZANTINISCHE ZEITSCHRIFT, 2007, 100 (01) : 197 - 201
[4] Art and identity in thirteenth-century Byzantium: Hagia Sophia and the Empire of Trebizond.
Angold, M
[J]. ENGLISH HISTORICAL REVIEW, 2006, 121 (491) : 514A - 516
[5] Diegeseis on Hagia Sophia from Late Antiquity to Tenth-Century Byzantium
Efthymiadis, Stephanos
[J]. BYZANTINOSLAVICA, 2015, 73 (1-2): : 7 - 22
[6] Chinese motifs in thirteenth-century Armenian art: The Mongol connection
Kouymjian, Dickran
[J]. Beyond the Legacy of Genghis Khan, 2006, 64 : 303 - 324
[7] THE PRINCIPLE OF IDENTITY AS THE FIRST THEORETICAL PRINCIPLE IN THE THIRTEENTH-CENTURY LATIN WEST
Beakers, Marieke
Goris, Wouter
[J]. RECHERCHES DE THEOLOGIE ET PHILOSOPHIE MEDIEVALES, 2021, 88 (02): : 441 - 485
[8] Thirteenth-Century Wall Painting of Salisbury Cathedral: Art, Liturgy, and Reform
Polanichka, Dana
[J]. COMITATUS-A JOURNAL OF MEDIEVAL AND RENAISSANCE STUDIES, 2010, 41 : 299 - 301
[9] Thirteenth-Century Wall Painting of Salisbury Cathedral: Art, Liturgy and Reform
Ayers, Tim
[J]. JOURNAL OF BRITISH STUDIES, 2009, 48 (03) : 741 - 743
[10] Thirteenth-Century Wall Painting of Salisbury Cathedral: Art, Liturgy, and Reform
Low, Peter
[J]. CHURCH HISTORY, 2012, 81 (04): : 969 - 972