A critical reading of the national curriculum for art in the light of contemporary theories of subjectivity

In this paper I show how pupils become visible as pedagogic subjects in the art curriculum. With reference to the work of Foucault and Lacan I theorise how pupils' subjectivities, or identities, are formed within discursive practices which constitute the art curriculum. A critical reading of practice is presented as it is conceived in the English National Curriculum for Art orders and the School Curriculum and Assessment Authority's document, Exemplification of Standards, in order to show how pupils' abilities are constructed and regulated. I argue that these documents are underpinned by an inadequate understanding of practice and assessment, which fails to acknowledge the difference and legitimacy of pupils' semiotic/representational strategies. I proceed to offer some thoughts for reconceptualising the art curriculum by employing the term 'difference'. My purpose is to highlight the need to develop a curriculum which offers a more inclusive space for practice, a space which is not driven by normative assessment frameworks, but which celebrates difference in practice and vigorous enquiry. © NSEAD, 1999.