Numbers in Places: Creative Interventions in Musical Space & Time

被引：2
|
作者：
De Roure, David [1 ]
Willcox, Pip [2 ]
机构：
[1] Univ Oxford, Oxford E Res Ctr, Oxford, England
[2] Univ Oxford, Ctr Digital Scholarship, Oxford, England
来源：
PROCEEDINGS OF THE 18TH INTERNATIONAL CONFERENCE ON HUMAN-COMPUTER INTERACTION WITH MOBILE DEVICES AND SERVICES (MOBILEHCI 2016) | 2016年
基金：
英国工程与自然科学研究理事会; 英国艺术与人文研究理事会;
关键词：
Ada Lovelace; Algorithmic Composition; Analytical Engine;
D O I：
10.1145/2957265.2964199
中图分类号：
TP18 [人工智能理论];
学科分类号：
081104 ; 0812 ; 0835 ; 1405 ;
摘要：
Ada Lovelace noted that Charles Babbage's Analytical Engine "might compose elaborate and scientific pieces of music of any degree of complexity or extent". The Numbers into Notes project, in its first phase, explored how this might have occurred nearly two centuries ago on the giant steam-powered machine using the mathematics of the time. Now we are asking what Lovelace might do today, with a microcontroller instead of the analytical engine. In our experiment, multiple devices are programmed to generate music, with creative interventions by humans to compose and influence the experience in locative sound.
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页码：1059 / 1063
页数：5
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