Pierrot, Columbine and Harlequin: A history of creation of N.V. Gogol's 'Taras Bulba' and 'Revizor'

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Vinogradov, IA

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RUSSKAIA LITERATURA | 1999年 / 01期

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I3/7 [各国文学];

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页码：36 / 44

页数：9

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[1] THE TEACHING OF PRILOG AS THE SPIRITUAL BASIS OF THE IMAGE OF ANDRIY IN N.V. GOGOL'S STORY "TARAS BULBA"
Uzhankov, Aleksander N.
NOVYI FILOLOGICHESKII VESTNIK-NEW PHILOLOGICAL BULLETIN, 2024, (68): : 79 - 94
[2] CONFUSIONS AND ALLUSIONS TO THE DEVIL IN GOGOL,N.V. 'REVIZOR'
EBBINGHAUS, A
RUSSIAN LITERATURE, 1993, 34 (03) : 291 - 310
[3] FROM MIRGOROD TO ROME: "ONTOLOGICAL SUPPORT" OF TARAS BULBA BY N.V. GOGOL. EXPERIENCE OF INTERPRETATION OF GOGOL'S "LOCAL TEXT" IN THE PARADIGM OF THE SEMANTICS OF THE FOUR ELEMENTS
Tretyakov, Evgeniy O.
IMAGOLOGIYA I KOMPARATIVISTIKA-IMAGOLOGY AND COMPARATIVE STUDIES, 2014, (02): : 44 - 69
[4] AUTHORS IDEA AND ARTISTIC STRUCTURE OF GOGOL,N.V. SOCIAL COMEDY 'REVIZOR'
KUPREYANOVA, EN
RUSSKAIA LITERATURA, 1979, (04): : 1 - 16
[5] N.V. Gogol's 'Zhenitba' and the absurd
Ken, KY
RUSSKAIA LITERATURA, 2000, (02): : 219 - 220
[6] THE UNREALIZABLE INTENTIONS OF GOGOL,N.V., OR THE HISTORY OF A LEGEND
AVDONIN, AM
RUSSKAIA LITERATURA, 1982, (02): : 195 - 196
[7] GOGOL AND THE PROBLEM OF HUMAN IDENTITY - THE 'PETERSBURGER ERZAHLUNGEN' AND THE 'REVIZOR' AS THE EXAMPLES OF THIS MAJOR MOTIF IN GOGOL,N.V. WORKS - GERMAN - LARSSON,A
WORRALL, N
SLAVONIC AND EAST EUROPEAN REVIEW, 1993, 71 (03): : 511 - 513
[8] HISTORY OF THE CREATION OF THE MONUMENT N.V. GOGOLYU: barriers to the sculptor's portrait N.V. Andreeva
Orlova, M. V.
NOVYI FILOLOGICHESKII VESTNIK-NEW PHILOLOGICAL BULLETIN, 2010, (13):
[9] THE STRUCTURE OF MEANING IN N.V. GOGOL'S 'KOLIASKA'
Besprozvany, Vadim
RUSSIAN LITERATURE, 2012, 71 (01) : 19 - 34
[10] COMMON FORMS OF ADDRESS IN GOGOL,N.V. COMEDY 'REVIZOR', PROBLEMS OF TRANSLATING POTENTIAL COMEDIC ELEMENTS AND REALIA
SCHULTZE, B
ZEITSCHRIFT FUR SLAWISTIK, 1993, 38 (04): : 515 - 538

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