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- [1] Mythology Amalgamated. The Transformation of the Mythological and the Re-appropriation of Myths in Contemporary Cinema EKPHRASIS-IMAGES CINEMA THEORY MEDIA, 2013, 10 (02): : 10 - 25
- [2] EXPROPRIATION OR RE-APPROPRIATION OF THE PAST? The museum work at the National History of France after the Revolution ZEITSCHRIFT FUR HISTORISCHE FORSCHUNG, 2012, 39 (03): : 413 - 452
- [3] RE-ENVISIONING THE HAUNTING PAST: KARA WALKER'S ART AND THE RE-APPROPRIATION OF THE VISUAL CODES OF THE ANTEBELLUM SOUTH WORLD CINEMA AND THE VISUAL ARTS, 2012, : 153 - 162
- [6] Past-Present and the Teaching of History: Receptions, Rereading and Re-Appropriation of Historical Sources inside and outside of the classroom ANTITESES, 2020, 13 (26): : 156 - 180
- [8] Stereotypes subverted? Contemporary African American visual artists who use various types of racially stereotypical imagery in their work - The debate continue INTERNATIONAL REVIEW OF AFRICAN AMERICAN ART, 1998, 15 (02): : 44 - 52