The prismatic configuration of a Provisional Hell in Luiz Ruffato's poetics

In this article, we propose to develop a reading about the work Inferno Provisorio, a pentalogy of the contemporary writer Luiz Ruffato. During this study, we tried to analyze how the dialogue and the transfiguration of several voices that make up the western literary tradition, such as the poetics of Mallarme and Jorge de Lima, potentiate the effects of meaning crossed in this work by Ruffato. We start from the understanding that the author uses a prismatic aesthetic to represent the complex, drastic and late passage - which occurred between the mid-1950s and the beginning of the XXI century - from a predominantly rural Brazilian reality to a mode of industrial sociability. To develop a satisfactory analysis of this vast project by Luiz Ruffato, we used studies proposed by authors such as Maria Adelia Menegazzo, Mikhail Bakhtin, Augusto de Campos and Joao Manuel Cardoso de Mello.