In the present article, we propose that Rosario Castellanos uses the Myth of Medusa to visibilize the way in which women writers in Mexican culture has been "fixed" -the same way a photograph is fixed- as some monstrous stereotype; at the same time, this Myth is used to construct an allegory of reflexive figures where women can be otherwise inscribed. "Album de familia" (1971) may be read in the story, a story intermedial that, like photographs, presents female characters looking for another way of being and self-representing, thus confronting stereotypes and male discourses, as well as a set of binary oppositions of Western culture that limits and restrains them to a sole way of being and expressing themselves