THE FILM SOUND ANALYSIS FRAMEWORK: A CONCEPTUAL TOOL TO INTERPRET THE CINEMATIC EXPERIENCE

被引:0
|
作者
Barbosa, Alvaro [1 ]
Dizon, Kristine [2 ]
机构
[1] Univ St Joseph, Fac Arts & Humanities, Hartford, CT 06117 USA
[2] Univ Catolica Portuguesa, Fac Human Sci, Lisbon, Portugal
关键词
Sound and music design; Film studies; Analysis framework;
D O I
10.34632/jsta.2020.8528
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
Today, the importance of sound and music in film is well established and an integral part of professional workflows within the audio-visual production industry. However, Sound and Music Design in film has been explored creatively since the advent of Talkies in the 1920's. The most well-established practices for the use of sound in film always came from the inspiration of film directors. editors and composers, but in recent years the systematic use of Sound and Music in this media has become increasingly relevant in academic domains, as a subject of study and research. This article proposes a possible direction in addressing challenges presented by this growing academic field, by introducing a process for codifying and systematizing an initial grammar of Sound in Film. entitled the Film Sound Analysis Framework (FSAF). The FSAF is a tool for critical analysis of Sound and Music in Film. that is based on the relationship between Sound Semantics and Syntax from a Taxonomical and Applied perspective. Using the FSAF in longitudinal studies of film. allows for a systematic analysis by the observation of similar variables through the identification and assessment of patterns or trends, when using Sound to convey meaning and foster emotions.
引用
收藏
页码:81 / 96
页数:16
相关论文
共 50 条
  • [1] Experiencing Sound Installations: A conceptual framework
    Fraisse, Valerian
    Giannini, Nicola
    Guastavino, Catherine
    Boutard, Guillaume
    ORGANISED SOUND, 2022, 27 (02) : 227 - 242
  • [2] Looking Through the Cinematic Mirror: Film as an Educational Tool
    James, Carl
    Marin, Lea
    Kassam, Shelina
    REVIEW OF EDUCATION PEDAGOGY AND CULTURAL STUDIES, 2011, 33 (04) : 354 - 364
  • [3] Cinematic Ethics: Exploring Ethical Experience through Film
    Plantinga, Carl
    PROJECTIONS-THE JOURNAL FOR MOVIES AND MIND, 2018, 12 (01) : 108 - 113
  • [4] CINEMATIC EXPERIENCE, FILM SPACE, AND THE CHILD'S WORLD
    Kuhn, Annette
    CANADIAN JOURNAL OF FILM STUDIES-REVUE CANADIENNE D ETUDES CINEMATOGRAPHIQUES, 2010, 19 (02): : 82 - 98
  • [5] Identifying film takes for cinematic analysis
    Truong, BT
    Venkatesh, S
    Dorai, C
    2003 INTERNATIONAL CONFERENCE ON MULTIMEDIA AND EXPO, VOL II, PROCEEDINGS, 2003, : 405 - 408
  • [6] Cinematic Ethics: Exploring Ethical Experience Through Film
    Shaw, Dan
    FILM-PHILOSOPHY, 2017, 21 (02): : 245 - 248
  • [7] Extraction of Film Takes for Cinematic Analysis
    Ba Tu Truong
    Svetha Venkatesh
    Chitra Dorai
    Multimedia Tools and Applications, 2005, 26 : 277 - 298
  • [8] Extraction of film takes for cinematic analysis
    Truong, BT
    Venkatesh, S
    Dorai, C
    MULTIMEDIA TOOLS AND APPLICATIONS, 2005, 26 (03) : 277 - 298
  • [9] Beyond Reality Bringing a cinematic sound approach to 360-film
    Eames, Alicia
    17TH ACM SIGGRAPH INTERNATIONAL CONFERENCE ON VIRTUAL-REALITY CONTINUUM AND ITS APPLICATIONS IN INDUSTRY (VRCAI 2019), 2019,
  • [10] Beyond sonic realism: a cinematic sound approach in documentary 360° film
    Butterworth, Alicia
    STUDIES IN DOCUMENTARY FILM, 2022, 16 (02) : 156 - 173