Return of the referent: Italian cinema for the new millennium

被引：0

作者：

Marcus, Millicent ^{[1
]}

机构：

[1] Yale Univ, New Haven, CT 06520 USA

来源：

SEMIOTICA | 2011年 / 183卷 / 1-4期

关键词：

Neorealism; historicity referentiality; Metz montage; Italian cinema;

D O I：

10.1515/semi.2011.013

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

Focusing with special intensity on scenes that feature still photographs in the Italian films Blow-Up, Three Brothers, and The One Hundred Steps, this paper traces a progressive return to the neorealist call for a cinema of truth-telling on the threshold on the new millennium.

引用

页码：273 / 282

页数：10

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