Present-day life as history. The realization of myth in documentary cinema

被引：0

作者：

Smirnova, TM

机构：

来源：

OTECHESTVENNAYA ISTORIYA | 2003年 / 06期

关键词：

D O I：

暂无

中图分类号：

K [历史、地理];

学科分类号：

06 ;

摘要：

引用

页码：186 / 190

页数：5

共 50 条

[1] PRESENT-DAY RUSSIAN CINEMA
DEROBERT, E
[J]. POSITIF, 1988, (324): : 3 - 5
[2] PRESENT-DAY TAIWANESE CINEMA
REYNAUD, B
[J]. CAHIERS DU CINEMA, 1990, (430): : 8 - 9
[3] PRESENT-DAY JAPANESE CINEMA - THE EMPIRE OF THE SENSES
TESSIER, M
[J]. BN-BIANCO E NERO, 1978, 39 (5-6): : 113 - 126
[4] TENDENCIES - PERSONAL PREFERENCES IN PRESENT-DAY CINEMA
BRUYN, OD
[J]. POSITIF, 1993, (387): : 34 - 37
[5] PRESENT-DAY BLACK-AFRICAN CINEMA
CRONEL, H
[J]. NOUVELLE REVUE FRANCAISE, 1993, (486-87): : 224 - 229
[6] STYLE AND TIME + PRESENT-DAY SOVIET CINEMA
RUNIN, B
[J]. SOVIET FILM, 1981, 81 (12): : 36 - 37
[7] THE FRAGILITY OF THE MALE EGO IN PRESENT-DAY CINEMA
BASSAN, R
[J]. REVUE DU CINEMA, 1989, (445): : 88 - 89
[8] Modernity made myth in present-day Berlin
Manale, M
[J]. TEMPS MODERNES, 2003, 58 (625): : 196 - 215
[9] BODY IN PROGRESS, THE CHANGE OF DIRECTION IN PRESENT-DAY CINEMA
CHIACCHIARI, F
[J]. CINEFORUM, 1989, 29 (1-2): : 29 - 34
[10] PROBLEMS OF THEORY AND CREATIVE WORK + PRESENT-DAY CINEMA
BASKAKOV, V
[J]. SOVIET FILM, 1976, 76 (05): : 33 - 34