Collaborating in Isolation: Assessing the Effects of the Covid-19 Pandemic on Patterns of Collaborative Behavior Among Working Musicians

被引:14
|
作者
Fram, Noah R. [1 ]
Goudarzi, Visda [2 ]
Terasawa, Hiroko [3 ]
Berger, Jonathan [1 ]
机构
[1] Stanford Univ, Dept Mus, Ctr Comp Res Mus & Acoust, Stanford, CA 94305 USA
[2] Columbia Coll Chicago, Dept Audio Arts & Acoust, Chicago, IL USA
[3] Univ Tsukuba, Fac Lib, Informat & Media Sci, Tsukuba, Ibaraki, Japan
来源
FRONTIERS IN PSYCHOLOGY | 2021年 / 12卷
关键词
social media; musical collaboration; technology use; COVID-19; pandemic; musical genre; MUSICOLOGY;
D O I
10.3389/fpsyg.2021.674246
中图分类号
B84 [心理学];
学科分类号
04 ; 0402 ;
摘要
The Covid-19 pandemic severely limited collaboration among musicians in rehearsal and ensemble performance, and demanded radical shifts in collaborative practices. Understanding the nature of these changes in music creators' patterns of collaboration, as well as how musicians shifted prioritizations and adapted their use of the available technologies, can offer invaluable insights into the resilience and importance of different aspects of musical collaboration. In addition, assessing changes in the collaboration networks among music creators can improve the current understanding of genre and style formation and evolution. We used an internet survey distributed to music creators, including performers, composers, producers, and engineers, all active before and during the pandemic, to assess their perceptions of how their music, collaborative practice, and use of technology were impacted by shelter-in-place orders associated with Covid-19, as well as how they adapted over the course of the pandemic. This survey was followed by Zoom interviews with a subset of participants. Along with confirming previous results showing increased reliance on nostalgia for musical inspiration, we found that participants' collaborative behaviors were surprisingly resilient to pandemic-related changes. In addition, participant responses appeared to be driven by a relatively small number of underlying factors, representing approaches to musical collaboration such as musical extroversion or musical introversion, inspiration clusters such as activist musicking, and style or genre clusters.
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页数:16
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