Universal models of colour emotion and colour harmony

被引:42
|
作者
Ou, Li-Chen [1 ]
Yuan, Yinqiu [2 ]
Sato, Tetsuya [3 ]
Lee, Wen-Yuan [4 ]
Szabo, Ferenc [5 ]
Sueeprasan, Suchitra [6 ]
Huertas, Rafael [7 ]
机构
[1] Natl Taiwan Univ Sci & Technol, Grad Inst Color & Illuminat Technol, Taipei, Taiwan
[2] Giant Lighting Solut Co Ltd, Taipei, Taiwan
[3] Kyoto Inst Technol, Dept Design Engn & Management, Kyoto, Kyoto, Japan
[4] Tatung Univ, Dept Ind Design, Taipei, Taiwan
[5] Univ Pannonia, Dept Elect Engn & Informat Syst, Veszprem, Hungary
[6] Chulalongkorn Univ, Dept Imaging & Printing Technol, Bangkok, Thailand
[7] Univ Granada, Dept Opt, Granada, Spain
来源
COLOR RESEARCH AND APPLICATION | 2018年 / 43卷 / 05期
关键词
colour emotion; colour harmony; cross-cultural study; universal model; 2-COLOR COMBINATIONS; PART I; AFFECTIVE FEELINGS; SINGLE COLORS; PREFERENCE; SYSTEM; JUDGEMENTS; MEANINGS; CONTEXT; RATINGS;
D O I
10.1002/col.22243
中图分类号
O69 [应用化学];
学科分类号
081704 ;
摘要
A new set of quantitative models of colour emotion and colour harmony were developed in this study using psychophysical data collected from 12 regions in the world, including Argentina, China, France, Germany, Hungary, Iran, Japan, Spain, Sweden, Taiwan, Thailand, and the UK. These data have previously been published in journals or conferences (for details see Tables and ). For colour emotion, three new models were derived, showing satisfactory predictive performance in terms of an average correlation coefficient of 0.78 for warm/cool, 0.80 for heavy/light and 0.81 for active/passive. The new colour harmony model also had satisfactory predictive performance, with an average correlation coefficient of 0.72. Principal component analysis shows that the common colour harmony principles, including hue similarity, chroma similarity, lightness difference and high lightness principles, were partly agreed by observers of the same region. The findings suggest that it is feasible to develop universal models of colour emotion and colour harmony, and that the former was found to be relatively more culture-independent than the latter.
引用
收藏
页码:736 / 748
页数:13
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