3D Digital Preservation, Presentation, and Interpretation of Wooden Cultural Heritage on the Example of Sculptures of the FormaViva Kostanjevica Na Krki Collection

被引:5
|
作者
Ucakar, Andrej [1 ]
Sterle, Ana [2 ]
Vuga, Martina [2 ]
Pecak, Tamara Trcek [2 ]
Trcek, Denis [3 ]
Ahtik, Jure [1 ]
Kosak, Karin [4 ]
Muck, Deja [1 ]
Tomc, Helena Gabrijelcic [1 ]
Kocevar, Tanja Nusa [4 ]
机构
[1] Univ Ljubljana, Fac Nat Sci & Engn, Dept Text Graph Arts & Design, Chair Informat & Graph Arts Technol, Snezniska 5, Ljubljana 1000, Slovenia
[2] Univ Ljubljana, Dept Conservat & Restorat, Acad Fine Arts & Design, Erjavceva Ulica 23, Ljubljana 1000, Slovenia
[3] Univ Ljubljana, Fac Comp & Informat Sci, Vecna Pot 113, Ljubljana 1000, Slovenia
[4] Univ Ljubljana, Fac Nat Sci & Engn, Dept Text Graph Arts & Design, Chair Text & Fash Design, Snezniska 5, Ljubljana 1000, Slovenia
来源
APPLIED SCIENCES-BASEL | 2022年 / 12卷 / 17期
关键词
3D modelling; 3D printing; animation; cultural heritage; jewellery; photogrammetry; preservation; representation; wooden sculptures;
D O I
10.3390/app12178445
中图分类号
O6 [化学];
学科分类号
0703 ;
摘要
The paper presents an interdisciplinary approach to the treatment of the FormaViva collection of wooden sculptures exhibited outdoors in a natural environment near the Bozidar Jakac Art Museum in Kostanjevica na Krki in Slovenia. The study focuses on 3D graphic representations of sculptures created with photogrammetry and 3D modelling. The results are photorealistic renderings, interactive presentations, 3D printed reproductions, jewellery, and interpretive animations. The research results show that graphic documentation techniques on 3D models allow for a more detailed investigation of the original structural identity of the sculpture. By incorporating 3D and interactive technologies, we are expanding the usability of cultural heritage objects. By using interpretive techniques that have led to jewellery and interpretive animations in our research, we not only breathe new life into the sculptures, but also enrich the stories of the sculptures with our own experiences of the sculptural work.
引用
收藏
页数:17
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