Writing up qualitative research requires researchers to consider many issues, including the representation of participants, academic standards for scholarship and researcher subjectivity or agency. In this article I refer to Zizek's notion of the ideal love relationship to examine some of the messy processes involved in constructing the written texts of such research. Principally, I describe the loss of authorial voice that occurred in my doctoral thesis following my appropriation of Zizek's post-Lacanian psychoanalytic approach as the methodological framework. In an attempt to untangle the tensions that plagued my use of Zizek's work and convey a sense of their disruptive implications, I adopt a writing style that is intermittently disordered, a voice that is inconsistently empowered and a reflexive engagement that is critically self-conscious. I argue that the negotiation of an academic writing style is an under-acknowledged site of ethical, political and personal struggle that, as such, represents an important methodological concern for feminist researchers.