Bernini's clay models (Response to James Fenton's informative piece on Gian Lorenzo Bernini)

被引：0

作者：

Gaskell, I ^{[1
]}

机构：

[1] Harvard Univ Art Museums, Fogg Art Museum, Dept Paintings Sculpture & Decorative Arts, Cambridge, MA USA

来源：

NEW YORK REVIEW OF BOOKS | 1998年 / 45卷 / 18期

关键词：

D O I：

暂无

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

引用

页码：77 / 77

页数：1

共 19 条

[1] Bernini's genius (Gian Lorenzo Bernini)
Lubow, Arthur
[J]. SMITHSONIAN, 2008, 39 (07) : 76 - 83
[2] Gian Lorenzo Bernini: Sketches in clay
Boucher, B
[J]. APOLLO-THE INTERNATIONAL ART MAGAZINE, 1999, 149 (443): : 54 - 56
[3] Gian Lorenzo Bernini: Sketches in clay
Fenton, J
[J]. NEW YORK REVIEW OF BOOKS, 1998, 45 (07) : 22 - +
[4] BERNINI,GIAN,LORENZO, FONSECA CHAPEL IN S LORENZO IN LUCINA, ROME
DOBIAS, J
[J]. BURLINGTON MAGAZINE, 1978, 120 (899): : 65 - 71
[5] Clay and hay bodies: the big models by Gian Lorenzo Bernini for St Peter
Rodolfo, Alessandra
[J]. RICERCHE DI STORIA DELL ARTE, 2019, (129) : 5 - +
[6] Sketches in clay for projects by Gian Lorenzo Bernini: Theoretical, technical, and case studies
Ekserdjian, D
[J]. APOLLO-THE INTERNATIONAL MAGAZINE OF THE ARTS, 1999, 150 (450): : 61 - 61
[7] On the original meanings of Gian Lorenzo Bernini's Anima beata and Anima dannata: Nymph and Satyr?
Garcia Cueto, David
[J]. SCULPTURE JOURNAL, 2015, 24 (01) : 37 - 53
[8] Construction technology and raw materials for the restoration of Gian Lorenzo Bernini's Cornaro Chapel Vault, Rome (Italy)
Randazzo, Luciana
Ricca, Michela
Mantella, Giuseppe
Nuzzo, Mariella
Santoro, Chiara Scioscia
La Russa, Mauro Francesco
[J]. JOURNAL OF CULTURAL HERITAGE, 2024, 68 : 254 - 262
[9] Giovanni Angelo Frumenti and his tomb in S. Maria Maggiore: a proposed new work by Gian Lorenzo Bernini
Ostrow, Steven F.
[J]. BURLINGTON MAGAZINE, 2016, 158 (1360): : 518 - 528
[10] Bernini's sculpture in clay New York and Fort Worth
McPhee, Sarah
[J]. BURLINGTON MAGAZINE, 2013, 155 (1320): : 208 - 210

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