FROM INNER SPEECH TO INNER MONOLOGUE: THE VOICE BETWEEN SPIRITUALITY, BODY AND LANGUAGE

Starting from V. Egger's La parole interieure (1881), moving on to Edouard Dujardin's essay on the Monologue interieur (1931), and taking into account the phenomenon of glossolalia observed by Theodore Flournoy (1900), this article aims at reconsidering interior language from a philosophical, psychological and linguistic point of view. It is from this perspective that the essay will attempt to reconsider the interior monologue from the point of view of the status of the voice, more precisely from that of the subject seen as a resounding body which makes sense of an escapism, a utopia, a "trompe-l'oreille" or, as in Joyce's case, the riverrun, the word-sound which flows and characterizes at the same time a lay meditation on the trinity - /three-ver-un/.