Color in complex scenes

被引:147
|
作者
Shevell, Steven K. [1 ]
Kingdom, Frederick A. A. [2 ]
机构
[1] Univ Chicago, Dept Psychol & Ophthalmol & Visual Sci, Chicago, IL 60637 USA
[2] McGill Univ, McGill Vis Res, Montreal, PQ H3A 1A1, Canada
关键词
chromatic adaptation; equivalent-uniform-background hypothesis; color constancy; color and form; color and motion;
D O I
10.1146/annurev.psych.59.103006.093619
中图分类号
B84 [心理学];
学科分类号
04 ; 0402 ;
摘要
The appearance of an objector surface depends strongly on the light from other objects and surfaces in view. This review focuses on color in complex scenes, which have regions of different colors in view simultaneously and/or successively, as in natural viewing. Two fundamental properties distinguish the chromatic representation evoked by a complex scene from the representation for an isolated patch of light. First, in complex scenes, the color of an object is not fully determined by the light from that object reaching the eye. Second, the chromatic representation of a complex scene contributes not only to hue, saturation, and brightness, but also to other percepts such as shape, texture, and object segmentation. These two properties are cornerstones of this review, which examines color perception with context that varies over space or time, including color constancy, and chromatic contributions to such percepts as orientation, contour, depth, and motion.
引用
收藏
页码:143 / 166
页数:40
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