The EAT Datascape: An Experiment in Digital Social History of Art

被引:0
|
作者
Leclercq, Christophe [1 ]
Girard, Paul [1 ]
Guido, Daniele [2 ]
机构
[1] Sci Po, Medialab, Paris, France
[2] Univ Luxembourg, Ctr Contemporary & Digital Hist, Luxembourg, Luxembourg
来源
ZIVOT UMJETNOSTI | 2019年 / 105期
关键词
Experiments in Art and Technology; EAT; collaboration; digital art history; digital social history of art; digital social art history; digital methods; digital design;
D O I
10.31664/zu.2019.105.05
中图分类号
J [艺术];
学科分类号
13 ; 1301 ;
摘要
Experiments in Art and Technology (E.A.T.) is an organization co-founded in 1966 by artists Robert Rauschenberg and Robert Whitman, and engineers Billy Kluver and Fred Waldhauer, in order to support collaboration between artists and engineers. The E.A.T. datascape is a digital instrument for analyzing the digitized traces left by its members via many available resources. Its aim is to study as closely as possible the complexity of collaborative interdisciplinary works. The E.A.T. datascape methodology makes it possible, by means of an anthropological action centred approach, to go beyond the distinction between art history and art sociology and to renew the social history of art by challenging the notion of authorship and by describing the work as constituted by the intersection between heterogeneous trajectories, rather than an object within a context that would influence it, or constitute its environment. In other words, it allows us to reflect on what digital design does, in turn, to the social history of art, and to put forward hypotheses about what a digital social history of art might be or could offer to the study of complex, interdisciplinary projects that are multiplying in the contemporary art world.
引用
收藏
页码:110 / 137
页数:28
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