Improvisation and Collaboration in Anthony Braxton's Composition 76

被引:1
|
作者
Steinbeck, Paul [1 ]
机构
[1] Washington Univ, Mus Theory, St Louis, MO 63130 USA
关键词
experimentalism; graphic notation; improvisation; multi-instrumentalism;
D O I
10.1215/00222909-7127682
中图分类号
J6 [音乐];
学科分类号
摘要
This article examines Anthony Braxton's Composition 76, a landmark work for three multi-instrumentalists. The score for Composition 76 employs graphic techniques (colors, shapes, and codes) as well as traditional notation on five-line staves. Original transcriptions of two studio recordings illustrate the strategies that the performers use to realize Braxton's complex score, uncovering the structure of a composition previously thought to be resistant to analysis. The article also sheds light on the diverse influences that can be seen in the graphic score-and heard in the performances-from John Cage and Karlheinz Stockhausen to the Chicago-based Association for the Advancement of Creative Musicians.
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页码:249 / 278
页数:30
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