THE MNEMOSYNE ATLAS AND THE MEANING OF PANEL 79 IN ABY WARBURG'S OEUVRE AS A DISTRIBUTED OBJECT

被引：4
|
作者：
Angel, Sara [1 ]
机构：
[1] Univ Toronto, Dept Art, Toronto, ON M5S 3G3, Canada
来源：
LEONARDO | 2011年 / 44卷 / 03期
关键词：
D O I：
10.1162/LEON_a_00169
中图分类号：
J [艺术];
学科分类号：
13 ; 1301 ;
摘要：
With his Mnemosyne Atlas Aby Warburg set out to find a revisionist method for studying art that surpassed its understanding through language. But his goal set up a new challenge. How does one comprehend what Warburg called an "art history without text" when he offered no explanation for its use? The following essay addresses this question utilizing a theoretical framework outlined by Alfred Gell in Art and Agency: Towards. a New Anthropological Theory, which views an artist's output as a network of its creator's distributed personhood.
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页码：266 / 267
页数：2
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