ARRIVALS WITHOUT PLOT: THE TRANSNATIONAL AESTHETICS OF NETWORK FORM IN ALEKSANDAR HEMON'S NOWHERE MAN

被引：0

作者：

Shin, Nami ^{[1
]}

机构：

[1] Incheon Natl Univ, Dept English, Incheon, South Korea

来源：

STUDIES IN THE NOVEL | 2019年 / 51卷 / 04期

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暂无

中图分类号：

I [文学];

学科分类号：

05 ;

摘要：

引用

页码：569 / 582

页数：14

共 10 条

[1] "ORGASM OF NOSTALGIA": NARRATIVE AND SEXUAL DESIRE IN ALEKSANDAR HEMON'S NOWHERE MAN
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[4] Ragghianti's aesthetics of the 'conscious man' and 'the critique of form' (Arts criticism)
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[7] The Aesthetics of Aging: Visual Strategies and Narrative Form in Tanizaki's Diary of a Mad Old Man
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[8] Post Sovereign Narration and Self-actuating Plot in Robert Musil's "The Man Without Qualities"
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[9] The I in Another Form: Femininity and Masculinity in Robert Musil's Novel The Man Without Qualities
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[10] Postsouveränes Erzählen und eigenmächtiges Geschehen in Robert Musils Der Mann ohne EigenschaftenPost-sovereign Narration and Self-actuating Plot in Robert Musil’s The Man Without Qualities
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