Discursive Constraints of Teasing: Constructing Professionality via Teasing in Chinese Entertainment Interviews
被引:4
|
作者:
Gong, Lili
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机构:
Guangdong Univ Foreign Studies, Sch English Educ, Guangzhou, Guangdong, Peoples R China
Hungarian Acad Sci, Budapest, HungaryGuangdong Univ Foreign Studies, Sch English Educ, Guangzhou, Guangdong, Peoples R China
Gong, Lili
[1
,3
]
Ran, Yongping
论文数: 0引用数: 0
h-index: 0
机构:
Guangdong Univ Foreign Studies, Ctr Linguist & Appl Linguist, Guangzhou, Guangdong, Peoples R ChinaGuangdong Univ Foreign Studies, Sch English Educ, Guangzhou, Guangdong, Peoples R China
Ran, Yongping
[2
]
机构:
[1] Guangdong Univ Foreign Studies, Sch English Educ, Guangzhou, Guangdong, Peoples R China
[2] Guangdong Univ Foreign Studies, Ctr Linguist & Appl Linguist, Guangzhou, Guangdong, Peoples R China
teasing;
discursive constraints;
professionality;
Chinese entertainment interviews;
IDENTITY CONSTRUCTION;
EMOTIONAL-REACTIONS;
JOCULAR ABUSE;
HUMOR;
GENDER;
JOKING;
TALK;
IMPOLITENESS;
PERCEPTIONS;
RESPONSES;
D O I:
10.1515/CJAL-2020-0005
中图分类号:
G40 [教育学];
学科分类号:
040101 ;
120403 ;
摘要:
Teasing can be approached as a linguistic resource for examining the interpersonal issues of im/politeness and face, or as a discursive strategy for displaying relationships or constructing social identities. However, studies have underestimated the discursive constraints of teasing in specific contexts. Meanwhile, a majority of teasing studies were based on Western cultures and did not pay sufficient attention to the variety of teasing across cultures. By collecting data from two Chinese entertainment interviews, where the interviewer employs teasing frequently for performing institutional roles, this study examined how teasing functions to assist the interviewer to complete communicative goals, and explored the discursive constraints of teasing in media context. Data analysis exemplified how teasing helped the interviewer to manage an interview event, obtain the guest's disclosure and seek audience involvement, helping to construct the interviewer's professionality. Implications for understanding the discursive features of teasing in the Chinese media context were addressed.