Editorial Markings as Analysis in Bach's Partita No. 1 for Solo Violin, "Corrente"

被引：0

作者：

Peebles, Crystal A. ^{[1
]}

机构：

[1] Ithaca Coll, Sch Mus, 953 Danby Rd, Ithaca, NY 14850 USA

来源：

MUSIC THEORY ONLINE | 2018年 / 24卷 / 04期

关键词：

editorial markings; J; S; Bach; BWV 1002 "Corrente; music analysis; philology; performance practice; LERDAHL; MUSIC;

D O I：

暂无

中图分类号：

J6 [音乐];

学科分类号：

摘要：

Editorial articulation marks in J. S. Bach's solo violin repertoire reflect not only contemporary performance practice, but can represent the editor's perception of the musical structure. This paper highlights differences in motivic, harmonic, and voice-leading structures between editions and arrangements of J. S. Bach's Partita No. 1 for Solo Violin (BWV 1002), "Corrente."

引用

页数：14

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