Derek Jarman and Everything That Is the Case

Juxtaposing Derek Jarman’s film Wittgenstein (1993) with the eponymous philosopher’s Tractatus Logico-Philosophicus (1922), this article shows how Jarman’s film warns its viewers against the conceptual and political problems created by treating queerness as a metaphysical abstraction. For Jarman’s version of Wittgenstein, the need to make queerness a metaphysical abstraction was the product of homophobic self-loathing, which in turn distorted the philosopher’s sense of what and who could be part of “the world.” I take Jarman’s film as an opportunity to bring these issues to bear on recent theoretical accounts of queerness as being either difficult to define or somehow beyond representation. © 2022 by The University of Chicago. All rights reserved.