Polymorphism in Indian Classical Music: A Pattern Recognition Approach

被引：0

作者：

De, Debashis ^{[1
]}

Roy, Samarjit ^{[2
]}

机构：

[1] West Bengal Univ Technol, Dept Comp Sci & Engn, BF-142,Sect-1, Kolkata 700064, India

[2] Sikkim Manipal Inst Technol, Dept Informat Technol, Rangpo 737136, India

来源：

PROCEEDINGS OF THE 2012 INTERNATIONAL CONFERENCE ON COMMUNICATIONS, DEVICES AND INTELLIGENT SYSTEMS (CODLS) | 2012年

关键词：

Musicology: Indian Classical Music (ICM); Object-Oriented Analysis (OOA): Polymorphism and Inheritance; Musical Pattern Recognition;

D O I：

暂无

中图分类号：

TP18 [人工智能理论];

学科分类号：

081104 ; 0812 ; 0835 ; 1405 ;

摘要：

Polymorphism is a property of the object-oriented technology and design. The polymorphism generally provides the designing of a generic interface which embraces a set of related activities. In Indian Classical Music (ICM), there are several features by which the unique features are classified into the Super-Class and a set of Sub-classes using the object-oriented programming and analysis methodology. In this paper, the simple polymorphic approach is being gone to represent using the concept of 'Taal'. Taal is a sole feature which is abbreviated in ICM to define as the exact rhythm of the music. The soul of the music, the Taal and its variations (known as 'lay') are represented into the several Super-class and Sub-classes.

引用

页码：612 / 615

页数：4

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