Emotional Cues in American Popular Music: Five Decades of the Top 40

被引:51
|
作者
Schellenberg, E. Glenn [1 ,2 ]
von Scheve, Christian [2 ,3 ]
机构
[1] Univ Toronto, Dept Psychol, Mississauga, ON L5L 1C6, Canada
[2] Free Univ Berlin, Cluster Excellence Languages Emot, Berlin, Germany
[3] Free Univ Berlin, Dept Sociol, Berlin, Germany
关键词
popular music; music and emotion; mixed emotions; social change; music history; BILLBOARD SONGS; MOOD; RESPONSES; AROUSAL; LIKING; MODE;
D O I
10.1037/a0028024
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
Some musical characteristics are cues to happiness (fast tempo, major mode); others are cues to sadness (slow tempo, minor mode). Listening to music with inconsistent emotional cues leads to mixed feelings and perceptions, or simultaneous happy and sad responding. We examined whether emotional cues in American popular music have changed over time, predicting that music has become progressively more sad-sounding and emotionally ambiguous. Our sample comprised over 1,000 Top 40 recordings from 25 years spanning five decades. Over the years, popular recordings became longer in duration and the proportion of female artists increased. In line with our principal hypotheses, there was also an increase in the use of minor mode and a decrease in average tempo, confirming that popular music became more sad-sounding over time. Decreases in tempo were also more pronounced for songs in major than in minor mode, highlighting a progressive increase of mixed emotional cues in popular music.
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页码:196 / 203
页数:8
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