Auditory Short-Term Memory Activation during Score Reading

被引:10
|
作者
Simoens, Veerle L. [1 ,2 ]
Tervaniemi, Mari [1 ,2 ,3 ]
机构
[1] Univ Helsinki, Inst Behav Sci, Cognit Brain Res Unit, Helsinki, Finland
[2] Univ Jyvaskyla, Dept Mus, Finnish Ctr Excellence Interdisciplinary Mus Res, Jyvaskyla, Finland
[3] Univ Jyvaskyla, Dept Psychol, Jyvaskyla, Finland
来源
PLOS ONE | 2013年 / 8卷 / 01期
基金
芬兰科学院;
关键词
EYE-HAND SPAN; WORKING-MEMORY; IMAGERY; REPRESENTATION; INTERFERENCE; EXPECTANCY; POTENTIALS; PERCEPTION; RESPONSES; COMPONENT;
D O I
10.1371/journal.pone.0053691
中图分类号
O [数理科学和化学]; P [天文学、地球科学]; Q [生物科学]; N [自然科学总论];
学科分类号
07 ; 0710 ; 09 ;
摘要
Performing music on the basis of reading a score requires reading ahead of what is being played in order to anticipate the necessary actions to produce the notes. Score reading thus not only involves the decoding of a visual score and the comparison to the auditory feedback, but also short-term storage of the musical information due to the delay of the auditory feedback during reading ahead. This study investigates the mechanisms of encoding of musical information in short-term memory during such a complicated procedure. There were three parts in this study. First, professional musicians participated in an electroencephalographic (EEG) experiment to study the slow wave potentials during a time interval of short-term memory storage in a situation that requires cross-modal translation and short-term storage of visual material to be compared with delayed auditory material, as it is the case in music score reading. This delayed visual-to-auditory matching task was compared with delayed visual-visual and auditory-auditory matching tasks in terms of EEG topography and voltage amplitudes. Second, an additional behavioural experiment was performed to determine which type of distractor would be the most interfering with the score reading-like task. Third, the self-reported strategies of the participants were also analyzed. All three parts of this study point towards the same conclusion according to which during music score reading, the musician most likely first translates the visual score into an auditory cue, probably starting around 700 or 1300 ms, ready for storage and delayed comparison with the auditory feedback.
引用
收藏
页数:10
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