Collective Improvisation The Practice and Vision of Ingemar Lindh

被引：6
|
作者：
Camilleri, Frank [1 ,2 ]
机构：
[1] Univ Kent, Canterbury, Kent, England
[2] Univ Malta, Theatre Studies Program, Msida, Malta
来源：
TDR-THE DRAMA REVIEW-A JOURNAL OF PERFORMANCE STUDIES | 2008年 / 52卷 / 04期
关键词：
D O I：
10.1162/dram.2008.52.4.82
中图分类号：
TU242.2 [影院、剧院、音乐厅];
学科分类号：
摘要：
Ingemar Lindh's research on the principles of collective improvisation and performance conceived as process announce an important development in the 20th-century tradition of the actor's work. After early studies with Etienne Decroux and working collaborations with Jerzy Grotowski, Eugenio Barba, and Yves Lebreton, Lindh founded the first laboratory theatre in Sweden in 197 1, the Instituter for Scenkonst. His practice of collective improvisation is viewed in light of postdramatic concerns such as its resistance to fixed scores, directorial montage, and choreography as an organizing principle.
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页码：82 / +
页数：17
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