A late 20th-century American reimagining of Dante's 'Commedia' (Shelley Berc's A 'Girl's Guide to the Divine Comedy')

被引:0
|
作者
Andreach, RJ
机构
[1] Sea Girt, NJ 08750
关键词
Dominant Culture; Female Artist; Dollar Sign; Divine Comedy; Culture Honor;
D O I
10.1023/A:1013850610292
中图分类号
I [文学];
学科分类号
05 ;
摘要
Shelley Berc's "A Girl's Guide to the Divine Comedy" is a reimagining of Dante Alighieri's Commedia as a late 20th-century American play that makes telling points about contemporary culture. In part 1 a female Dante descends into hell not to learn the nature of sin as her medieval counterpart does but to realize the depth of the female artist's exile from the political and artistic life of the dominant, androcratic culture. Part 2's satire inverts the medieval purgatorial ascent with real-estate-agent Virgil and porn-star Beatrice trying to persuade Dante, now a male, to accept the culture's money-based, celebrity-oriented values. Part 3 of the work culminates in a vision. One difference, however, is that whereas the medieval vision is empyreal, the contemporary vision is terrestrial. A second difference is that the contemporary Dante, a girl again, relates in a narrative the vision of community for which she was put to death. Understanding the penalty exacted for a minority perception, she voluntarily returns to the underworld to give voice to other exiles.
引用
收藏
页码:191 / 204
页数:14
相关论文
共 50 条