The camera and the pen. Cinematographic anxieties in the Spanish narrative vanguard

被引：0

作者：

Lough, Francis ^{[1
]}

机构：

[1] Univ Birmingham, Birmingham B15 2TT, W Midlands, England

来源：

关键词：

D O I：

暂无

中图分类号：

I3/7 [各国文学];

学科分类号：

摘要：

引用

页码：418 / 419

页数：2

共 7 条

[1] The camera and the pen: Film anxieties in the Hispanic leading narrative
Highfill, Juli
REVISTA DE ESTUDIOS HISPANICOS, 2012, 46 (01): : 155 - 158
[2] The camera and the calamus. Cinematographic anxieties in the Hispanic narrative of the avant-garde
Leal Riesco, Beatriz
CARACTERES-ESTUDIOS CULTURALES Y CRITICOS DE LA ESFERA DIGITAL, 2013, 2 (02): : 173 - 182
[3] Montages and fragments: An approach to Spanish Vanguard narrative - Spanish - DelPino,J
LaRubiaPrado, F
REVISTA DE ESTUDIOS HISPANICOS, 1997, 31 (01): : 132 - 134
[4] MONTAGES AND FRAGMENTS - AN APPROACH TO SPANISH VANGUARD NARRATIVE - SPANISH - DELPINO,JM
RODENAS, D
INSULA-REVISTA DE LETRAS Y CIENCIAS HUMANAS, 1996, 51 (594): : 8 - 10
[5] Montages and fragments: An approach to the Spanish vanguard narrative - Spanish - DelPino,JM
Johnson, R
ANALES DE LA LITERATURA ESPANOLA CONTEMPORANEA, 1996, 21 (1-2): : 208 - 210
[6] Visions of stereoscope: paradigm of hybridation in the art and narrative of the Spanish vanguard.
Johnson, R
HISPANIA-A JOURNAL DEVOTED TO THE TEACHING OF SPANISH AND PORTUGUESE, 2003, 86 (03): : 508 - 509
[7] From the vanguard to post-modernity: The Uruguayan narrative (1920-1995) - Spanish - Verani,H
Cosse, R
HISPAMERICA-REVISTA DE LITERATURA, 1996, 25 (75): : 157 - 159