METAMORPHOSES OF A SOVIET ARTIST: A. PLATONOV AND A. MEDVEDKIN

被引:0
|
作者
Kukui, Il'ia
机构
关键词
A.P; Platonov; Film; A; Medvedkin;
D O I
10.1016/j.ruslit.2013.01.008
中图分类号
I3/7 [各国文学];
学科分类号
摘要
The article discusses the problem of the difference between auctorial intention and different kinds of contemporary and subsequent interpretations in texts which pretend to fulfil the requirements of the Soviet ideological canon but at the same time bust these limitations because of the grotesque nature of the artist's language. The alienating prose of Andrei Platonov and the mixture of farce and proclamation in the films of Aleksandr Medvedkin (1900-1989) provide the most striking examples of such an (unintentional) art strategy that makes possible mutually exclusive readings.
引用
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页码:115 / 131
页数:17
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