Migration, fragmentation, and identity: Zora Neale Hurston's 'Color Struck' and the geography of the Harlem Renaissance

被引：3

作者：

Krasner, D ^{[1
]}

机构：

[1] Yale Univ, New Haven, CT 06520 USA

来源：

THEATRE JOURNAL | 2001年 / 53卷 / 04期

关键词：

D O I：

10.1353/tj.2001.0111

中图分类号：

TU242.2 [影院、剧院、音乐厅];

学科分类号：

摘要：

引用

页码：533 / 550

页数：18

共 50 条

[1] GENDER AND AMBITION - HURSTON,ZORA,NEALE IN THE HARLEM RENAISSANCE
STORY, RD
BLACK SCHOLAR, 1989, 20 (3-4): : 25 - 31
[2] Re-evaluating 'Color Struck': Zora Neale Hurston and the issue of colorism
Classon, HL
THEATRE STUDIES, 1997, (42): : 4 - 18
[3] The social geography of race in Hurston's 'Seraph on the Suwanee' + Zora Neale Hurston
Dubek, L
AFRICAN AMERICAN REVIEW, 1996, 30 (03) : 341 - 351
[4] Blackness, Colorism, and Epidermalization of Infe riority in Zora Neale Hurston's Color Struck: A Fanonian Reading of the Play
Mirmasoomi, Mahshid
Roshnavand, Farshid Nowrouzi
KHAZAR JOURNAL OF HUMANITIES AND SOCIAL SCIENCES, 2014, 17 (04): : 55 - 65
[5] Black love and the Harlem Renaissance: The novels of Nella Larsen, Jessie Redmon Fauset, and Zora Neale Hurston
Moynihan, Sinead
JOURNAL OF AMERICAN STUDIES, 2007, 41 (01) : 230 - 231
[6] Rereading the Harlem Renaissance: Race, class, and gender in the fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West
Cutter, MJ
AFRICAN AMERICAN REVIEW, 2003, 37 (04) : 656 - 657
[7] Symbolic representation of identity in Hurston's 'Their Eyes Were Watching God' (Zora Neale Hurston)
Dilbeck, Keiko
EXPLICATOR, 2008, 66 (02): : 102 - 104
[8] Zora Neale Hurston's Final Decade
Hitchcock, Bert
SOUTHERN HUMANITIES REVIEW, 2013, 47 (02): : 193 - 195
[9] Zora Neale Hurston's Final Decade
Collins, Emilie A.
SCIENCE & SOCIETY, 2013, 77 (03) : 439 - 441
[10] ZORA NEALE HURSTON'S EARLY FEMINISM
Mocioalca, Amada
STUDIES ON LITERATURE, DISCOURSE AND MULTICULTURAL DIALOGUE: LANGUAGE AND DISCOURSE, 2013, : 550 - 556

← 1 2 3 4 5 →