From Materials to Technique: A Complete Non-Invasive Investigation of a Group of Six Ukiyo-E Japanese Woodblock Prints of the Oriental Art Museum E. Chiossone (Genoa, Italy)

被引:3
|
作者
Gargano, Marco [1 ]
Longoni, Margherita [2 ]
Pesce, Valeria [3 ]
Palandri, Maria Chiara [3 ,4 ]
Canepari, Aurora [5 ]
Ludwig, Nicola [1 ]
Bruni, Silvia [2 ]
机构
[1] Univ Milan, Dipartimento Fis, Via G Celoria 16, I-20133 Milan, Italy
[2] Univ Milan, Dipartimento Chim, Via C Golgi 19, I-20133 Milan, Italy
[3] Accademia Belle Arti Brera, Via Brera 28, I-20121 Milan, Italy
[4] Natl Lib Norway, Dept Collect & Res, Henrik Ibsens Gate 110, N-0255 Oslo, Norway
[5] Museo Arte Orientale & Chiossone, Piazzale G Mazzini 4, I-16122 Genoa, Italy
关键词
Japanese woodblock print; multiband imaging; UV fluorescence; visible induced luminescence; reflectance transformation imaging; Raman spectroscopy; reflectance FTIR spectroscopy; spectrofluorimetry; fiber optic reflectance spectroscopy; RAMAN; PIGMENTS; COLORANTS; RED; LIBRARY;
D O I
10.3390/s22228772
中图分类号
O65 [分析化学];
学科分类号
070302 ; 081704 ;
摘要
In the present work, a complete non-invasive scientific investigation of six Utagawa Kunisada's woodblock prints (nishiki-e) belonging to the Oriental Art Museum "E. Chiossone" (Genoa, Italy), was performed in situ. The campaign started with high resolution multiband imaging (visible, multiband fluorescence, near infrared) followed by reflectance transformation imaging (RTI) to characterize and highlight the peculiar printing techniques and the condition of the support. Then fiber optics reflectance spectroscopy (FORS), spectrofluorimetry, Raman and reflectance Fourier-transform infrared (FTIR) spectroscopies were successfully applied in synergy for the investigation of the printing materials (pigments, binders, support). The results obtained represent a set of very important information for these never-before-studied works of art, useful to the different professionals involved: historians, conservators and curators. The materials identified were completely in agreement with those traditionally used in the Edo period in the 19th century, while the computational imaging technique RTI gave an additional amount of information in terms of surface characterization that could not be overlooked when studying these works of art. RTI data were further processed to enhance the texture visualization.
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页数:18
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