PREJUDICIAL NARRATIVES BUILDING TOMORROW'S WORLD TODAY

被引:1
|
作者
McDowell, Alex [1 ,2 ,3 ]
机构
[1] 5D GlobalStudio, Los Angeles, CA 90048 USA
[2] Univ So Calif, Sch Cinemat Arts, Media Arts Practice, Los Angeles, CA 90089 USA
[3] Univ So Calif, World Bldg Inst, World Bldg Media Lab, Los Angeles, CA 90089 USA
关键词
Potomac River; Darek Gogal; Raymond Lao; Rilao; Ann Pendleton-Jullian; University of Southern California (USC) School of Cinematic Arts; Lauren Fenton and Eric Marshall; World Building Media Lab; Royal College of Art in London; Fiona Raby; Tony Dunne; Hogeschool Rotterdam University; Bruno Setola; ESPM School in Rio; JoAo Luiz de Figueiredo Silva; Pedro Curi; Bauhaus; USC World Building Institute's "Science of Fiction' event; Jeff Watson; Rilao Remote Viewing Protocol; Fight Club; Steven Spielberg; Philip K Dick; Minority Report; Scott Frank; Behnaz Farahi; Peter Schultz; Neil Gershenfeld; Bill Mitchell; MIT Media Lab; Jaron Lanier; Doug Copeland; Joel Garreau; Dr Shaun Jones; Defense Advanced Research Projects Agency (DARPA); John Underkoffler; Alex McDowell; Tom Cruise; G-Speak; 20th Century Fox; Anne White; Mark Goerner; Al Baydha; 5D GlobalStudio;
D O I
10.1002/ad.1921
中图分类号
TU [建筑科学];
学科分类号
0813 ;
摘要
Film production requires world building: the power to visualise and bring to life narrative through a film's total environment. This is often entirely speculative, imagining alternative or future worlds. Here, Alex McDowell, acclaimed British production designer, producer and Professor at the University of Southern California (USC) describes his world-building, narrative approach to production design, which he consolidated in the Steven Spielberg film Minority Report (2002) that envisioned Washington DC in the year 2050. The possibilities of this storytelling technique are demonstrated by its transference into real-life projects, such as the immersive model that his production company, 5D GlobalStudio, developed for Al Baydha, a Bedouin village in Saudi Arabia.
引用
收藏
页码:26 / 33
页数:8
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