Aesthetic theory and feminisms: inclusive and global responses to the experience in art and current society

This paper analyses the deconstructive processes proposed by feminist aesthetics from the claim of experience and the defence of an interpretive pluralism that re-evaluates the modern project. In this way, the concepts of subjectivity, creativity, genius, pure aesthetics of pleasure and the categories of the beauty and the sublime are reviewed to make visible aesthetic perspectives traditionally silenced. Necessarily inclusive perspectives that reconcile the affirmation of difference in a global world where identities, bodies and sexualities inhabit and coexist in the public and private space as witnesses of the diversity of our time.