CALIBAN IN THE CULTURE OF OUR AMERICA: TRIBUTE TO ROBERTO FERNANDEZ RETAMAR

I centered this tribute to the ever-loved Roberto Fernandez Retamar on Caliban, the uneducated savage, illiterate as we were called in the studies of our America. The Europeans. To reach the cannibal, they traveled through Ariel, god of the wind, who was credited with having raised the flag of Hispanity against northern imperialism and the "nomonology" of the inhabitants of our America. Rodo pointed to the enemy-however, the cure was limited to repeating the same motto: we are (without being) Spanish by language (they took away our religion, ethos and other customs). Inheritance is not the point to discuss, but do we accept going back to the colony, or not?The "not" is accompanied by taking Caliban by the arm, the wild slave capable of making a new, ours and revolutionary culture emerge. We are Caliban and it is necessary to admit it. With this Caliban emblem, Roberto Fernandez Retamar travels through the history of our Continent, dividing social and individual tendencies into revolutionaries, or Calibans, and anti-Calibans, or reactionary enemies of our great contribution to world history-namely, the Cuban Revolution that, without a doubt, vibrated and vibrate in favor of the people.Fernandez Retamar offers a literature of revolutionary content today, and not the ideal of Hispanidad [Spanishness].This has happened since 1971. Today, that project has been exceeded. Shakespeare took the first step by putting both social trends on the horizon; the revolution was accepted as an innovative form by Calibanesque