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- [6] CompositeGhosts: A 'Doubleeyed' Reading of Thomas Hardy's The Well-Beloved CAMBRIDGE QUARTERLY, 2017, 46 (01): : 1 - 20
- [9] CALL ME BY YOUR NAME. Protected patient: reflections on removing the patient's name in Patient Safety REVISTA ESPANOLA DE ANESTESIOLOGIA Y REANIMACION, 2019, 66 (06): : 350 - 351
- [10] Elio and Oliver's romantic (Grand) Tour: Gender, genre, and media-induced tourism in Call Me By Your Name JOURNAL OF AMERICAN CULTURE, 2023, 46 (04): : 302 - 307