The early modern canon and the construction of women's writing

In this essay, I aim to provide an overview of the relationship between women's writing and the 'canon', to suggest some reasons for its continuing marginality to that canon, and to outline briefly the ways in which the particular character and qualities of early modern women's writing require a rethinking of many of our dominant narratives about the literary history of the period. In this I draw upon the work of many critics whose work has shaped my thinking, and who are mapping out exciting new trajectories for the future direction of this field. The second part of the article focuses on setting out some ways in which early modern women's writing might provide productive challenges to current orthodoxies about the canon of Renaissance Literature. Finally, I turn to the future, and some ideas about how the category of 'women's writing' itself needs to be repositioned and reconceived.