DIGITAL FOOTPRINTS MONITORING OF HIGHER ART EDUCATION APPLICANTS TRAINING

被引:0
|
作者
Pichkur, Mykola O. [1 ]
Poluden, Liliya I. [2 ]
Demchenko, Iryna I. [3 ]
Sotska, Halyna I. [4 ]
机构
[1] Pavlo Tychyna Uman State Pedag Univ, Fine Art Dept, Uman, Ukraine
[2] Bohdan Khmelnitsky Natl Univ Cherkasy, Dept Fine & Decorat Arts, Cherkassy, Ukraine
[3] Natl Univ Life & Environm Sci Ukraine, Dept Social Work & Rehabil, Kiev, Ukraine
[4] NAES Ukraine, Ivan Zaziun Inst Pedag Educ & Adult Educ, Kiev, Ukraine
关键词
digital footprint; pedagogical monitoring; art training; higher art education applicants; temporal discreteness; art and pedagogical conditions;
D O I
10.33407/itlt.v94i2.5205
中图分类号
G40 [教育学];
学科分类号
040101 ; 120403 ;
摘要
Art training of specialists of various art specialties is described to be provided by pedagogical, professional art, design and architectural educational institutions. It is perceived as a unified system that functions on the synergistic basis of the integration of art and pedagogical traditions and innovations and is developed in unity with the evolution of various types and genres of classical and modern art. Thus, the article outlines the objective factors that lead to the development of the methodology of its organization on the basis of information and technology under both favorable and socially unreliable conditions. Taking into consideration the contemporaneity, the temporal discreteness of the art and pedagogical conditions of fine art students' training is determined as the one that arose due to the COVID-19 epidemic and the war in Ukraine, and caused the disruption of educational process and made teachers organize it in a mixed mode preferring online technologies. Proceeding from the information mentioned, the necessity to develop an informational profile for fine art students, based on the application of their digital footprints, is actualized. The authors developed an algorithm for the collecting, structuring and analyzing digital footprints of the would-be art specialists' training, which is based on the clarification of the "digital footprint" concept, its art and educational context and the main placement platforms. The pedagogical value of monitoring digital footprints at each of the stages of specialists' art training in temporal discrete, art and pedagogical conditions was verified. It was based on the statistical analysis of the collected data on the electronic portfolio evaluation, the quality of training in drawing and pictorial art of the students on education and professional program of bachelor degree, as well as the results of the problem-based online discussion in which teachers and students participated.
引用
收藏
页码:128 / 149
页数:22
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