Analysing bio-art's epistemic landscape: from metaphoric to post-metaphoric structure

Since its emergence, bio-art has developed numerous metaphors central to the transfer of concepts of modern biology, genetics, and genomics to the public domain that reveal several cultural, ethical, and social variations in their related themes. This article assumes that a general typology of metaphors developed by practices related to bio-art can be categorised into two categories: pictorial and operational metaphors. Through these, information regarding several biological issues is transferred to the public arena. Based on the analysis, this article attempts to answer the following questions: How does bio-art develop metaphors to advance epistemic and discursive agendas that constitute public understanding of a set of deeply problematic assumptions regarding how today's biology operates? Under the influence of today's synthetic biology, could bio-media operationally reframe these epistemic agendas by reframing complex and multi-layered metaphors towards post-metaphoric structures? Finally, what are the scientific, cultural, and social implications of reframing?