An Analysis of Black Widow (2021): Marvel's Most Feminist Film Features Powerful Sisters and an Attenuated Male Gaze

被引:1
|
作者
Killian, Kyle D. [1 ]
机构
[1] Capella Univ, Marriage & Family Therapy, Minneapolis, MN 55402 USA
关键词
Film; super heroine; male gaze; marvel cinematic universe; comic books; sexualization;
D O I
10.1080/08952833.2022.2139926
中图分类号
D669 [社会生活与社会问题]; C913 [社会生活与社会问题];
学科分类号
1204 ;
摘要
The representation of superheroines in comic books and comic book movies tend to subscribe to the patriarchal logic of the male gaze, with male subjects looking at women as hypersexualized objects and corporeal spectacles. Black Widow is the most fiercely feminist offering in the Marvel Cinematic Universe to date, featuring young women resisting a powerful, rich, old, white male villain and fighting against his evil design to control the world. There are multiple refreshing developments in this "Phase Four" film from Marvel Studios. Drawing on feminist textual readings of superheroines' depictions in comics and cinema, this article (1) engages a shift away from the male gaze and its impact on the representation of strong female characters without the trappings of hypersexualization, and (2) suggests what films like Black Widow can offer regarding notions of what relationships constitute "family" in our society.
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收藏
页码:106 / 113
页数:8
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