THE KOREAN WAVE: FROM GLOBAL CONSUMPTION TO GLOBAL CREATION

被引:0
|
作者
Choi, Hangsub [1 ]
机构
[1] Univ Kookmin, Dept Sociol, Seoul, South Korea
来源
SOCIETES | 2023年 / 161卷 / 03期
关键词
Korean Wave; K-pop; cover dance; remake drama; webtoon;
D O I
10.3917/soc.161.0137
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
The cultural phenomenon known as the Korean Wave, or "Hallyu," continues to expand its influence globally. Korean pop music, often referred to as K-pop, is at the forefront of this movement, with groups such as BTS and Blackpink reaching unprecedented levels of international acclaim. Fans of K-pop across the globe are no longer merely consumers of the music; they are becoming creators in their own right, performing K-pop cover dances. This form of creative expression not only allows fans to connect, but it also fosters a unique "postmodern tribe" environment characterized by shared emotions and experiences. The impact of the Korean Wave extends beyond music, with Korean TV dramas and films being licensed and remade in foreign markets. These remade pieces are a testament to the versatility of the original Korean content, evolving into novel creative cultural products that reflect the diversity of their new cultural contexts. Webtoons, a form of digital comic popularized in Korea, have also seen an increase in global popularity. More and more people worldwide are creating these Korean webtoons, moving beyond passive consumption. The inclusion of local artists in the Korean Wave's content is a critical factor promoting cultural understanding and respect, thus reinforcing the reciprocal nature of cultural exchange. The Korean Wave, once a symbol of cultural export, is now an international canvas for creative expression, fostering a truly global cultural community.
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页码:137 / 145
页数:9
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