TOWARDS A FEMINIST MUSEUM OF THEATRICAL ARCHEOLOGY SENTIMENTAL CARTOGRAPHY OF LA PLATA'S CITY THEATER

This work approached three plays from the independent theater system of La Plata, from a critical feminist perspective. In order to do so, the concept of Feminist Museum (Pollock) was used, analyzingthe possible relationships between Cuerpos A banderados (1998); Ansio los Alpes. Asi nacen los lagos (2016) y Lo que se escapa (2019). We sought to build a Sentimental Cartography (Rolnik), based on the author's experience as a spectator of these performances. The feelings of astonishment and discomfort (Ahmed) that they caused, were explored, stressing the experience, and relating these performances, outside the traditional scripts of art history. It was concluded that linking affection, the public and the private, the personal and the social, result in a broader, more complex and at the same time close aesthetic approach.