State Murals, Protest Murals, Conflict Murals: Evolving Politics of Public Art in Ukraine

被引:2
|
作者
Leahy, Emma Louise [1 ]
机构
[1] Univ Roma La Sapienza, Dept Hist Culture Relig Hist Art & Entertainment, I-00185 Rome, Italy
关键词
public art; monumental art; street art; graffiti; neo-muralism; conflict murals; postcolonial culture; Ukrainian identity; cultural heritage; SOCIALIST REALISM;
D O I
10.3390/arts13010001
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
Russian interference and invasion in Ukraine have transformed that nation's historical practice of mural painting. A traditional art form with deep religious and political resonance in Ukraine, murals have become an instrument for patriotic mass mobilisation against the Russian military threat. From the mid-2000s, spraypaint graffiti underwent a gradual process of professionalisation and reconciliation with mainstream culture as Ukrainian municipalities pursued urban beautification initiatives and city-branding strategies to mitigate the socioeconomic challenges of postsocialism. It was this legacy of apolitical, privately funded street art that provided the foundations for patriotic muralism following the Maidan "Revolution of Dignity" and the Russian annexation of Crimea. Amidst the post-Maidan search for a postcolonial understanding of Ukrainian culture disentangled from Soviet and Russian influences, professionally produced murals in central urban districts proposed new visions of national identity. The war's intensification since 2022 has resulted in a decentralisation of mural production. No longer reliant on international festivals in urban centres, conflict murals are now made by Ukrainian artists in large cities and small towns across the country. The newest murals represent a blending of the physical and digital-with a subject matter often inspired by viral conflict memes; artworks are, in turn, shared with worldwide audiences via social media.
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页数:41
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