FUNCTIONS OF LYRISM IN CENA SONGS: ASPECTS OF CHICO BUARQUE'S MUSICAL DRAMATURGY

被引：0

作者：

Betti, Maria Silvia ^{[1
]}

机构：

[1] Univ Sao Paulo, Dept Letras Modernas, Programa Posgrad Estudos Linguist Literarios Ingle, Fac Filosofia Letras & Ciencias Humanas, Sao Paulo, Brazil

来源：

LITERATURA E SOCIEDADE | 2024年 / 31卷 / 40期

关键词：

dramaturgy; musical theater; political theater; epic theater;

D O I：

10.11606/issn.2237-1184.v0i40p434-449

中图分类号：

I [文学];

学科分类号：

05 ;

摘要：

This article discusses the role of lyricism in Chico Buarque's stage songs using examples from the plays Roda Viva (1967), Calabar. O elogio trai & ccedil;& atilde;o (1973), Gota d & aacute;gua (1975) and & Oacute;pera do Malandro (1978).

引用

页码：434 / 449

页数：16

共 3 条

[1] THE SCENE OF CONTRADICTION IN CHICO BUARQUE'S THEATRE: THE GESTURE OF SONGS
Oliveira, Je
Hotimsky, Nina Nussenzweig
LITERATURA E SOCIEDADE, 2024, 31 (40): : 410 - 433
[2] PRESENCE AND PLACE OF THE SACRED DIMENSION IN THE CHICO BUARQUE'S WORKS: EDUCATIONAL AND LITERARY ASPECTS IN LYRICAL ANALYSIS OF FOUR SONGS
Constantino, Paulo Roberto Prado
de Camargo Filho, Jorge Geraldo
ECCOS-REVISTA CIENTIFICA, 2024, (69):
[3] Musical semantics of the "dark age" - Old and new aspects of Hanns Eisler's songs
Krones, H
OSTERREICHISCHE MUSIK ZEITSCHRIFT, 1998, 53 (7-8): : 33 - 41

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